Here is Animal Collective’s video for their Merriweather Post Pavilion track “Bluish”. It came out in September and it’s pretty righteous. Click the image below to watch. Or click here.

After the narrative and (pretty much) visual mess that was ODDSAC, it’s nice to see something visually appealing that seems appropriate in relation to its abilities to capture the subtleties of that AC sound. Now that’s a purely personal opinion as I’ve spoken to a growing number of people who say ODDSAC was perfect and so maybe I’m the one who’s way off. Whatever. I mean ODDSAC wasn’t a complete failure but it was pretty “film school project” quality –amateurish? Sure, but that’s not expected from AC at this point in their career (is this the end of it LOL?). A handful of moments of sonic brilliance and the occasional interesting visual unfortunately doesn’t “save” the work as a whole. Better luck next time?

Next: Flying Lotus.

Last week I showed you guys some tracks from his new EP, Pattern+Grid World. Yesterday, a video for the FlyLo track “Kill Your Co-Workers” was released. The visuals homages to the video games of yesteryear are everywhere and the video itself is fucked up as hell. It’s awesome!

Lastly, Larissa mentioned to me in conversation yesterday how difficult it’s gonna be for us to come up with our top ten albums list at the end of the year. I concurred; in fact, it’s been on my mind almost every day. So much good music has already been released, and not released yet. Kanye’s new album is gonna kick so much ass. I mean, look at  the cover!!!!

As previously mentioned, it’s called My Beautiful Dark Twisted Fantasy and it’s gonna be good. Also, Radiohead might release something this year which would also blow my mind. Well that’s something to think about.

The creepy,

visual album, ODDSAC, is screening tonight at the Senator Theater in Baltimore. ODDSAC is a masterpiece produced by Animal Collective in collaboration with filmmaker Danny Perez. The Director and members of Animal Collective will be at the screening to answer questions and hopefully they’ll stick around for the After-party.

I’m not really a fan of Indie music videos. They tend to ruin songs for me. Watching the video for “In the Flowers” seared images of tiny dancers, dolls and masks into my head that reappear every time I relisten to the song. The symbolism of these freaky plots and visuals bypasses me completely.

Apparently ODDSAC is especially disturbing. Yet, I’d say it gained unprecedented prestige in the ‘normal’ film community. This January it had its World Premier at the Sundance Film Festival. I mean, that’s cool, but at Sundance, they still weren’t quite sure what to make of it.

It’s kind of funny, if you read the Sundance review of the film, the reviewer sounds kind of confused and overwhelmed – he’s not quite sure what he’s supposed to say and basically writes that he’ll leave it to Pitchfork to sort out.

What I do know is that ODDSAC definitely doesn’t look like anything I’ve seen at Sundance, or maybe even in my life, and at its best moments captures some of the aural layers and intensity of the band’s music itself. If you’re going for “visual album,” I’d say that’s pretty good.

George went to the screening in Chicago a few weeks ago. He was disappointed that only Geologist was there to answer questions. According to George, some girl raised her hand to criticize the anti-feminist message of the film. George said the director looked confused and the crowd began to boo her complaint. I guess if there is some sort of anti-feminist undertone, AC was not aware.

Anyway, take a look at the trailer below and you can be the judge.

Consider this list my “favorite new tracks of 2009” list.

Click here to listen to the selected tracks

Imagine this.

Leaning backwards in your chair to the point where it tips over, but instead of you hitting the ground with a hard thud, you go right through the ground and you get swallowed up and dropped into a dark cushiony endless abyss. What, this has never happened to you? Well it did to me, the first time I listened to Radiohead’s “These Are My Twisted Words.” From a purely tonal standpoint, the guitars present a smear of notes down a descending line that exist outside the realm of conventional tonality. From a more textural standpoint, the guitars layer the smear on thick with heavy delay and other time based effects.

To break down the instrumentation, it’s nothing out of the ordinary -especially for Radiohead: guitars, drums, thom’s voice, bass. The difference is what Radiohead manages to do with these instruments. We’re not talking about virtuoso technique or any truly incredible display of musicianship. The magic here is in the composition and the recording. Like I said, “These Are My Twisted Words” really delivered me to a place I’ve never been. Radiohead showed, through this song, that there are still sonic realms where standard rock instrumentation hasn’t been yet.

This is what listening to these songs looks like (taken from the inside of my car during a carwash).

There are hardly any recognizable instruments or components in Animal Collective’s “Guys Eyes” from their latest album Merriweather Post Pavilion. Regardless the song is something that Brian Williams Wilson (nice catch) would have been happy to have produced if he was still with the Beach Boys today. My sister said it perfectly when she that it was like Animal Collective created a new color. It was that groundbreaking for me when I finally figured out what the hell Animal Collective was. “Guys Eyes” has these beautiful vocal harmonies that swarm around like well choreographed bees. Any singular bee is hardly distinguishable from the rest but the result is a spinning pattern of thick vocal counterpoint. In this way, the only recognizable component of the song, the singing, becomes a mess in itself. This is the kind of mess that will make me listen to a song a hundred times over without ever deciphering the mess.

I’m going to throw Grizzly Bear’s “Slow Life” featuring Victoria Legrand into this list because it had a similar affect on me as the previous two songs. The moral of the story I guess is auditory experience. However, there have been some songs in the past that have had life changing effects for me in terms of how I listen to music. First is Beck’s 2002 song “Paper Tiger” form his album Sea Change. The song perfectly melts together the timbres of a guitar and an orchestra so that their interplay and “counterplay” creates a conversational effect that makes the song so bold. Lastly is the song “Oceania” from Björk’s 2004 album Medúlla. The album is an almost purely vocal album and this song is composed of a combination of Björk’s live vocals, and a professional beatboxer. Additionally, an indiscernible combination of sampled voices and a female choir take the part that a synthesizer would normally have. This kind of seamless mix is a strange sensation.

Well I hope that by sharing these tracks with you, you too can expand your musical palette.

Thanks and with love,

George

Click here to listen to select tracks from each album

#10 Wye Oak: The Knot

The award winning drama

The Knot places you in various vignettes of emotional experiences. “Take It In” brings you to a place of heartbreak laden with isolation and longing. “Sight, Flight” takes you to the monotony of everyday life filled with despair and claustrophobia. By the end of the album I’m emotionally exhausted. But Wye Oak has succeeded in making every scene so grippingly beautiful that by the end of the album I also want to revisit heartbreak over and over again.

#9 Royksopp: Junior

The feel good music

Imagine living your life set in the “Brave New World” riding on Dopamine enhancing drugs. You’re just sweating happiness in the sun. I think that’s the spirit of the album  Junior – it’s supposed to put you in that happy, surreal place. Fortunately, the release of this album’s counterpart, Senior, was delayed till 2010. Otherwise we may have had to put Royksopp on the list twice.

#8 The Dead Weather: Horehound

A really good fit

Horehound is a really fun album.  Jack White assembled a super group with an ensemble that would suggest they’ve been around for years. I feel like this is the band that Jack White was always meant to be in. The only thing that could make The Dead Weather an even better fit for White, is if it existed in a world run by Clint Eastwood and western movies.

#7 Wilco: Wilco (The Album)

The introspective self-reflexive album

Wilco’s Wilco (The Album) begins with Wilco the song. Listening to this album over and over I began to realize that it embodied Wilco the artist and all of their creations from the other albums. For example, when I heard “One Wing”, it sounded so familiar I was sure they had taken it from one of their other albums.

This familiarity is not a bad thing. It means that when I listen to this album I hear beautifully written music, excellent lyrics and amazing skill that Wilco can clearly create over and over. Wilco impressively recreated themselves and everything they have ever stood for musically in one album.

#6 Discovery: LP

Because you can’t always take yourself too seriously

Discovery’s LP has been called ‘appalling‘ by some – but I think they completely missed the point. This album is a parody; it’s Indie’s parody of contemporary R&B. I mean  the lead guys from Vampire Weekend and Ra Ra Riot created the freaking band!

Take their version of The Jackson 5’s “I Want You Back”. Their atrocious twist on it can only be a satire of their own exuberance. Similarly songs like, “I Wanna Be Your Boyfriend” and “It’s Not My Fault” are ridiculously heavy on the handclaps and synths; heavy enough that they scream humorous sarcasm. I mean, Discovery sings about ‘Never lookin when you type T9’ and ‘Googl[ing] yourself when you get home.’ Come on, that’s hilarious.

For some quality songs listen to “So Insane” and “Osaka Loop Line”.

#5 The XX: XX

So subtle that it gets better with every listen

One particular reviewer originally gave this album a pretty insufficient rating. A commenter then complained: ‘“For what it’s worth I think you have confused ‘apathy’ with restraint, (a rare thing in music these days).” And I’ll stop right there.

# 4 Phoenix: Wolfgang Amadeus Phoenix

A few French guys paving a better road for the American auto industry – at least for Cadillacs

Cadillac commercials have featured great songs since their breakthrough commercial with Zeppelin’s “Rock and Roll”. This year, GM decided that “1901″ was captivating enough to represent Cadillac.

I agree that “1901″ like other songs on the Phoenix album are catchy and so refreshing that they don’t get old. This album stands out because it’s that attractive 80s sound, without the cheese and without sounding obsolete.

What made me fall in love with Wolfgang even more is that these guys sure can perform this album live. In a recent video of them playing on the streets of Paris, it’s impressive to hear Thomas Mars make the switch from his native, nasal French to his crisp, yet adolescent English vocals. As the four of them stand in front of the Eiffel Tower strumming away “1901″, the piece transforms from being an image of a sleek Cadillac to a light-hearted summer in the sun.

#3 The Antlers: Hospice

Using the album as a medium on which to create a story

The album, Hospice, tells a story about losing a loved one to cancer. However, this is no Nicholas Sparks novel. In “Kettering”, Silberman’s chilling voice bleeds onto the page to begin the story in a sincere tone. The blend of his voice and the instruments play like a musical rendition of one’s thoughts during a time of tragedy.  A mix of major tonality with somber songs implies hope and despair. He makes it a very real experience.

This album reminds us that owning every song on an album and playing it straight through without skipping tracks is a rare accomplishment. With a playlist culture and the ability to download one song at a time, the format of the album has become less important. Yet, The Antlers once again gave it a purpose – they used it to create a story, where playing the album through is like turning the pages of a good book. That is why they are in the top ten albums of 2009.

The other impressive thing about The Antlers is that the lead singer, Peter Silberman, single handedly wrote the music and then self-released the album. It picked up speed online and is now one of the most highly rated albums of 2009.

#2 Animal Collective: Merriweather Post Pavilion

For their ingenuity – weird music turned user friendly

Animal Collective was over the top bizarre. But, I have to give Merriweather Post Pavilion serious credit for being a balance of Animal Collective’s inclination to experiment to the extreme and music grounded in tradition. The result is a clusterfuck of sounds that makes really sweet, new music.

I gave into Animal Collective, not because of Pitchfork’s incessant raving about them, but because my 13 year old brother posted a link to “My Girls” on my facebook wall. He said something like, ‘I thought this might be your techno/dance style.’ And although that is not at all an accurate description of the song, it did motivate me to click on the link. Then I played it on repeat for the next half hour.

This album gets the number two spot because it’s as if Animal Collective invented a new color. Their album sounds like something I could never imagine or compare to anything I’ve heard before. And when I listen to a song like “Bluish”, I don’t even know what I’m listening to (in one of their songs the drum beat is composed of sped up words), but at the same time, I love it. It’s a brand new sensory experience.

Great songs to start with on this album are “In the Flowers”, “My Girls” and “Bluish” – also check out the 2009 EP because it almost made this list.

#1 Grizzly Bear: Veckatimest

Because pure talent and unmatched perfectionism ought to be rewarded

I like to think of Veckatimest as Grizzly Bear dressed up in a good suit and encased in awesome album cover artwork. Because for me, Grizzly Bear is still what stands naked under the suit and cover: pure talent and unmatched perfectionism.

I first saw Grizzly Bear live when they were naked indeed – without an image or a large following. However, those of us watching them were stunned by Ed Droste’s and Dan Rossen’s angelic voices, and the flawless four part harmonies created when every member joined in to sing. This is one of those rare bands where every single member has an extraordinary voice. I have to reveal that the high pitched, synthy sound that shrieks in the background of “Knife” is actually produced by the bassist’s bare voice.

Thus, this album is a continuation of that same precision and talent; in fact, think of it as a perfect man in a well-fitted suit. Don Draper comes to mind.